All Francisco de Goya Oil Paintings

Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
 

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Francisco de Goya the marquesa de  la solana, c. oil on canvas


the marquesa de la solana, c.
the marquesa de la solana, c.
Painting ID::  64325
  1792 paris, louvre
  1792 paris, louvre

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Francisco de Goya dona tadea arias de enriquez oil on canvas


dona tadea arias de enriquez
dona tadea arias de enriquez
Painting ID::  64326
  1793-4 madrid, prado
  1793-4 madrid, prado

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Francisco de Goya Coleccion Castro Serna oil on canvas


Coleccion Castro Serna
Coleccion Castro Serna
Painting ID::  66062
  Asalto de ladrones, 1794. oleo sobre hojalata. 42 x 31 cm. Coleccion Castro Serna (Madrid, Espana).
  Asalto de ladrones, 1794. oleo sobre hojalata. 42 x 31 cm. Coleccion Castro Serna (Madrid, Espana).

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Francisco de Goya Oleo sobre tabla oil on canvas


Oleo sobre tabla
Oleo sobre tabla
Painting ID::  66272
  Oleo sobre tabla. 47 x 35 cm. Museo de la Residencia Calasanz (Madrid, España). Inscripcixn del engulo inferior izquierdo: "Goya fecit año 1819".
  Oleo sobre tabla. 47 x 35 cm. Museo de la Residencia Calasanz (Madrid, España). Inscripcixn del engulo inferior izquierdo: "Goya fecit año 1819".

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Francisco de Goya Allegory of the City of Madrid oil on canvas


Allegory of the City of Madrid
Allegory of the City of Madrid
Painting ID::  66453
  Oil on canvas 260 x 195 cm 1810
  Oil on canvas 260 x 195 cm 1810

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     Francisco de Goya
     Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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